A very cool project from some friends and former grad school colleagues was unveiled today. It's called the Museum of Imaginary Musical Instruments, curated by Deirdre Loughridge and Thomas Patteson. Check it out.
Hello, I'm John Paul Meyers. I recently defended my dissertation in Ethnomusicology at the University of Pennsylvania. My dissertation is titled "'Rock and Roll Never Forgets': Memory, History, and Performance in the Tribute Band Scene." My dissertation examines tribute bands both in the United States and in Latin America, paying particular attention to what I term "historical consciousness in popular music": the sense that the past in popular music is worth knowing about, remembering, and in the particular case of tribute bands, re-performing as accurately as possible. I'm currently in the process of turning this research into a book. I also write about jazz, popular music, and American culture--all three of those things understood as broadly as possible.
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